The Clarinet Comes of Age, c. 1760 – c. 1810: A Tale of Two Cities
Ronald Caravan - Wikipedia
Philippe Bourrianne, PhD, watches closely as a mezzo soprano singer and clarinet player from the Metropolitan Opera perform a beautiful rendition of Oror , an Armenian lullaby. A year ago, he would travel into New York City to listen to their music. Today, the postdoc studies the artists from the comfort of his Princeton laboratory as part of an innovative collaboration with the Met to develop safe social distancing practices. This is just one of the many projects Philippe has been involved with since the pandemic hit. As a researcher in the field of fluid mechanics, Philippe came to Princeton nearly a year ago to study biologic systems. Philippe became involved with pandemic-related research in early April soon after Princeton closed its campus. With a shortage of ventilators and associated equipment, he joined a project led by Assistant Professor Andrew Leifer—that connected researchers across the campus in physics, neuroscience, and engineering—to create components for an open ventilation monitor in consultation with medical workers.
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Since the invention of the clarinet there have been instrument repairmen and technicians who have properly maintained and serviced those instruments. This project presents the life and work of Mark Jacobi, one of the most influential clarinet repair technicians of the twentieth and twenty-first centuries. This document outlines the evolution of the clarinet barrel from its early incarnation as an attached extension of the mouthpiece section to its modern state as a "reverse-taper" design perfected by Hans Moennig. In all, the document attempts to humanize a figure of contemporary legend in order to be accurately portrayed and received by future generations. LSU Doctoral Dissertations.